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It has an octagon chamber of the most uncomfortable description, but no doubt artistic, and above all praise, according to some lights. To outsiders it presents a curious appearance, and might by the unlearned be regarded as a jumble of all ages, a make-up of objectionable bits from different centuries; but to Lady Lilias and her sympathizers it is simply perfection.,

"Oh, Geoffrey, do you want to break my heart? Sure you know he is the most vicious animal in the whole stables. Take any horse but that.",

Perhaps another reason for Mona's having found such favor in the eyes of "the biggest woman in our shire, sir," lies in the fact that she is in many ways so totally unlike all the other young women with whom the duchess is in the habit of associating. She is naive to an extraordinary degree, and says and does things that might appear outre in others, but are so much a part of Mona that it neither startles nor offends one when she gives way to them.,

"He may not,—there is a faint chance,—but of course the title is gone, as he has proved his birth beyond dispute."

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"Don't be unkind to me," says Mona, with just a touch of innocent and bewitching coquetry. She is telling herself she likes this absurd young man better than any one she has met since she came to England, except perhaps Sir Nicholas.,

"She is all your fancy could possibly paint her; she is lovely and divine. Don't try to analyze her charms, my dear Geoff. She is just the prettiest and sweetest woman I ever met. She is young, in the 'very May morn of delight,' yet there is nothing of that horrid shyness—that mauvaise honte—about her that, as a rule, belongs to the 'freshness of morning.' Her laugh is so sweet, so full of enjoyment.",

"Dear Lady Rodney, you are really too kind," she says, in a tone soft and measured as usual, but without the sweetness. In her heart there is something that amounts as nearly to indignant anger as so thoroughly well-bred and well regulated a girl can feel. "You are better, I think," she says, calmly, without any settled foundation for the thought; and then she lays down the perfume-bottle, takes up her handkerchief, and, with a last unimportant word or two, walks out of the room.,

She says it all quite simply, with a smile, and a quick blush that arises merely from the effort of having to explain, not from the explanation itself. There is not a touch of malice in her soft eyes or on her parted lips.